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Required Reading: Frances Palmer’s ‘Life with Flowers’ Is Deeply Personal

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Required Reading: Frances Palmer’s ‘Life with Flowers’ Is Deeply Personal

May 13, 2025

Flower-focused books have become enormously popular in recent years—and with good reason: Who doesn’t want to flip through a book filled with beautiful blossoms? The latest addition to the genre, ceramicist Frances Palmer’s new book, Life with Flowers: Inspiration and Lessons from the Garden, might be the most soulful flower book yet.

Not only does Palmer grow the flowers, arrange them, and photograph them—she also hand-makes all the vases and vessels in which they are displayed and paints the backdrops that they are often shot against. In this book the beauty is layers and layers deep, and this depth and intention shines through on every page. It’s become clichéd to describe something as “deeply personal,” but in the case of Life with Flowers, the description fits: It is a truly intimate book.

The book itself is as multi-hyphenate as its creator: In her text Palmer talks about what she grows and why, how art history informs her gardening and flower arranging, how she grows her favored plants, and even offers recipes and craft projects that incorporate flowers from her garden. As the title suggests, it’s about a life spent in the company of flowers.

Here are seven lessons we took away from Palmer’s lovely new book:

Photography by Frances Palmer from Life with Flowers, unless otherwise noted.

Think in “waves,” not months.

Palmer says she is particularly fond of this photo taken in late October. “It has all these flowers in it that to me are just kind of the epitome of harvest,” she says.&#8\2\2\1;‘It&#8\2\17;s got a lot of things in it that you wouldn&#8\2\17;t think were blooming at the same time, but they are.”
Above: Palmer says she is particularly fond of this photo taken in late October. “It has all these flowers in it that to me are just kind of the epitome of harvest,” she says.”‘It’s got a lot of things in it that you wouldn’t think were blooming at the same time, but they are.”

When planning a flower garden, Palmer didn’t structure her book by months like most garden books. Instead Palmer’s book is divided into six micro growing seasons—prevernal, vernal, aestival, serotinal, autumnal, and hibernal—because it’s a more accurate portrait of how she thinks about creating continuous bloom.

Plant for constant variety.

Palmer often sees flowers through the lens of art history. Of bearded irises, for example, she writes, “In \20\18, a magical exhibition of Cedric Morris’s iris paintings at the Garden Museum in London gave me a new appreciation of the history of this flower. Morris not only painted bearded iris portraits, he also cultivated the plants and introduced them for sale.”
Above: Palmer often sees flowers through the lens of art history. Of bearded irises, for example, she writes, “In 2018, a magical exhibition of Cedric Morris’s iris paintings at the Garden Museum in London gave me a new appreciation of the history of this flower. Morris not only painted bearded iris portraits, he also cultivated the plants and introduced them for sale.”

In addition to aiming for “constant and uninterrupted flowers” Palmer says she also plans her cutting gardens for “a continual flow of colors, heights, and shapes for arranging in my pottery.” Writes Palmer in the book, “Within each perennial flower family, I include a range of colors, shapes, and textures, which allows for the greatest stock of plant material to work with and lends a beautiful diversity to the garden and the arrangements.”

Flowers and vessel must go together–but either can lead.

Palmer grows a range of flowering climbers and vines, not only for the colors and texture they bring in the garden but also for their distinct character in arrangements like this arrangement in which cup and saucer vines trail out of a marbleized, three-spouted vase Palmer designed.
Above: Palmer grows a range of flowering climbers and vines, not only for the colors and texture they bring in the garden but also for their distinct character in arrangements like this arrangement in which cup and saucer vines trail out of a marbleized, three-spouted vase Palmer designed.

Palmer’s flowers and ceramics are so intertwined that the two are constantly inspiring one another. She says that before she makes an arrangement, she always considers how the blossoms will work in conjunction with the vessels. “Sometimes I choose the flower to fit the pot I have in mind; other times I work in reverse,” she writes.

Make room for natives in your flower garden.

Above: Palmer converted an unused tennis court into a massive cut flower garden with raised beds. The majority of the beds are 3 by 8 feet (1 by 2.4 m), which Palmer notes is a very practical size allowing for easy access from either long side.

In recent years, Palmer has added more native plants to her cut flower garden, and not just to feed the pollinators but also because she likes to mix many of them in with the flowers in her  arrangements. However, she cautions that you need to be careful mixing natives in with cut flower beds. “They would overtake the rest of the flowers that I have carefully placed, so a fair amount of editing and extracting (aka weeding) is required during the summer months to keep them in check,” she notes.

Pick flowers like a pro.

Palmer advises gardeners to harvest flowers in the early morning with sharp, rust-free clippers—and get them into water ASAP. “Cut your stems as long as possible,” she says. “You never know when you might need an extra-tall stem to punctuate an arrangement at the finish.”

Connect with other “flower” people.

Palmer describes having “a pivotal moment with pelargoniums” while visiting the Olson House in Cushing, Maine, which was the location for Andrew Wyeth’s painting &#8\2\20;Christina’s World&#8\2\2\1;: “On wooden shelves built into one of the kitchen windows was a grouping of bright red pelargoniums in terra-cotta pots, placed in honor of the plants Wyeth painted while he visited the family,” Palmer writes. “I was incredibly moved by this connection to history.”
Above: Palmer describes having “a pivotal moment with pelargoniums” while visiting the Olson House in Cushing, Maine, which was the location for Andrew Wyeth’s painting “Christina’s World”: “On wooden shelves built into one of the kitchen windows was a grouping of bright red pelargoniums in terra-cotta pots, placed in honor of the plants Wyeth painted while he visited the family,” Palmer writes. “I was incredibly moved by this connection to history.”

Palmer notes that art and history are not her only sources of inspiration. One of the other things that fuels her creativity is spending time with other gardeners. “It’s heavenly to sit with a group of like-minded friends and talk about plants, the weather, and the tasks at hand on our respective to-do lists,” writes Palmer. “The community of flower growers, arrangers, and enthusiasts greatly enhances my life and work.”

Keep experimenting.

“Natural dyes for textiles seemed like an obvious choice, and I am just beginning to discover how to make and use them, enjoying the trial and error,” writes Palmer, who offers instructions for how to dye napkins in the book. “Marigolds capture the most gorgeous yellow, which transfers nicely to fabrics. I also like to include goldenrod and calendula in the mix, depending on what’s in bloom in the garden.”
Above: “Natural dyes for textiles seemed like an obvious choice, and I am just beginning to discover how to make and use them, enjoying the trial and error,” writes Palmer, who offers instructions for how to dye napkins in the book. “Marigolds capture the most gorgeous yellow, which transfers nicely to fabrics. I also like to include goldenrod and calendula in the mix, depending on what’s in bloom in the garden.”

“I try to gather as much information as I can before I buy anything. Yet and still, some plants never manage to thrive, but I don’t consider garden experimentation of any kind to be a failure, and neither should you,” writes Palmer. “In fact, I encourage you to keep trying new things and chalk up any unfortunate results to your ongoing education in gardening.”

Above: Frances Palmer’s Life With Flowers hits bookstores today. (Photograph of Palmer by Weston Wills.)

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